Preparations for painting are going well. This stage is rather tedious, but it’s a part of the creative process: the base leads to the finished product.
Here’s a panel with the mesh base applied. You’ll notice that there are what appear to be circles under the mess. A bit of serendipity there: as I unroll the mesh and cut it into strips on the board, the strands on the edges sometimes get separated from the inner part of the roll. Most of the time, I just cut these off and toss them, but for this piece, and one other that I’m doing, I’ve applied them to the base. In one of Octavio Paz’s poems, he refers to the circle as the perfect representation of the impulse of art, so I include a few in some of my pieces.
The second image below shows the beginning of the application of the joint compound. The type I’ve started using starts out pink, as you can see, and turns white as it dries. I’ve found this very helpful. Some areas of some of my pieces have a thicker coat, so it’s good to know when those spots have dried completely before applying the gesso.
This next photo shows the mesh fully covered with compound. Now it’s just a matter of waiting for it to dry.
This photo shows a panel to which I earlier applied compound. As I looked at the piece, I decided that it needed more texture, so I’ve added another layer, with some deep gouges. We’ll see how those look when they dry. I may need to adjust them some, which I do with sandpaper. This piece may need even more layers. I’ll know when it’s dry.